Lost in the Dissolve: Another Lady Vanishes in Hitchcock’s VERTIGO

• 20/07/2014 • Leave a Comment

A Not So Fatal Femme Fatale: Experimenting with the Norms of Film Noir in THE DEEP END

• 06/04/2014 • Leave a Comment

Classically Contemporary Noir: On the Quintessential Film Noir Style of PRISONERS

• 05/01/2014 • 1 Comment

Bat’s the New Black: BATMAN RETURNS and Film Noir

• 06/05/2012 • 2 Comments

There is No “I” in Dark Passage: The First Person Camera Technique in DARK PASSAGE

• 24/04/2011 • Leave a Comment

Getting the Low Down: Low Key Angles in the Opening of MILDRED PIERCE

• 17/04/2011 • Leave a Comment

The Lady is a Tramp…: Clues and Innuendos in DOUBLE INDEMNITY

• 10/04/2011 • 1 Comment